Aaha Nanna Maduve Ante!

Written and Directed by Preethi Sagar ~ ರಚನೆ ಮತ್ತು ನಿರ್ದೇಶನ ಪ್ರೀತಿ ಸಾಗರ್

Give me liberty... or give me marriage!

Screenshot of Aaha Nanna Maduve Ante
Shot of a film set

On the set of Aaha Nanna Maduve Ante!: (L to R) Khushi, Sameer, Chandru, Ravi, Preethi.

ಸಿಂಚನಾ, 20 ವರ್ಷಗಳ ಆಸುಪಾಸಿನ ಬೆಂಗಳೂರಿನವಳು. ಸದ್ಯದಲ್ಲಿ ಅವಳಿಗೆ ಮುಂದಿನ ಜೀವನದ ಬಗ್ಗೆ ದೊಡ್ಡ ಆಲೋಚನೆಗಳೇನು ಇಲ್ಲ. ಅಕೆಯ ತಂದೆ ಕಡು ನಿಟ್ಟಿನ ವ್ಯಕ್ತಿಯಾಗಿದ್ದು, ಅವಳು ಮನೆಯ ಹೊಸಲು ದಾಟುವುದನ್ನೇ ಸಾಹಸವನ್ನಾಗಿ ಮಾಡಿದ್ದಾರೆ. ಆದರೆ, ಬೆನ್ನು ತಟ್ಟಿ ಪ್ರೋತ್ಸಾಹಿಸುವ ಆಕೆಯ ಸ್ನೇಹಿತೆ ಯಾವಾಗಲು ಜೊತೆಯಾಗಿರುವಳು.

ಸಿಂಚನಾಳ ತಂದೆ ಆದಷ್ಟು ಬೇಗ ಮದುವೆ ಮಾಡಿ ಕಳಿಸುವ ಆತುರದಲ್ಲಿ ಇದ್ದಾರೆ. ಹೀಗಿರುವ ಸಿಂಚನಾಳ ಬದುಕಿನಲ್ಲಿ ಅವಳ ಮುಂದೆ ಈಗ ಇರುವುದು ಎರಡೇ ಆಯ್ಕೆಗಳು. ಒಂದು, ಜೀವನದಲ್ಲಿ ಏನಾದರೂ ಮಾಡು. ಇಲ್ಲ, ಜೀವನವೇ ನಿನಗೆ ಏನಾದರು ಮಾಡುತ್ತದೆ. ಸಿಂಚನಾಳ ಆಯ್ಕೆ ಯಾವುದು?

This script was developed under the Talents’ Day Films internship programme 2021-22.

ಈ ಚಿತ್ರಕತೆಯನ್ನು ಟ್ಯಾಲೆಂಟ್ಸ್’ ಡೇ ಫಿಲಮ್ಸ್ನ 2021-2022ರ ಇಂಟರ್ನ್ಶಿಪ್‌ ಪ್ರೋಗ್ರಾಮಿನಲ್ಲಿ ತಯಾರಿಸಲಾಯಿತು.

Cast: Khushi Chandrashekar – Sihi Kahi Chandru – Dipti Mangottil – Harshil Koushik – Cristo Mon

Cinematographer: Sameer Deshpande

Art: Sushma Naik & Ullas Hydur

Audiographer: Sam Keuper (Megalo Sound)

Music Director: Ajith KP

Editor: Amar Nath

Executive Producer: Sharath Bhagavan

Producer: Suneel Raghavendra

Written and Directed by Preethi Sagar

Portrait of a woman

Preethi Sagar is an actor, writer and new filmmaker from Bangalore. Right out of college, she worked at NEWS9 as a broadcast journalist, hosting the 10PM news bulletin for a year. With years of experience in theatre, she pivoted to acting onscreen with Kannada short films and small parts in feature films like “Man of the Match”, “Sapta Sagaradaache Yello” and PRK Productions’ upcoming film “O2”.

The director looks forward to writing, directing and collaborating with more womxn in the film industry for future projects. Her special interests currently are getting a primetime slot for a Kannada serial she’s developing, and zombies!

You know what really gets my goat? When “women-centric” films are almost always about rape, murder, death. Did I mention rape?

Don’t get me wrong, womxn across the world are disproportionately the victims of assault and crime, and it makes sense that filmmakers would choose to depict it onscreen.

But here’s the thing – womxn also experience joy, boredom, are messy, are lazy… almost as if they’re humans. And it looks like it’s up to womxn as writers, as directors, as cinematographers, as editors to take up the task of more accurate (and honestly, more fun) depictions of us in Kannada cinema.

“Aaha Nanna Maduve Anthe” is an attempt at the above. I’m really excited to continue to work in the Kannada Film Industry, not only as an actor but also a writer and a director.

Films, education, and Kannada popular culture.
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